Pink is any of the colors between bluish red (purple) and red, of medium to high brightness and of low to moderate saturation. Commonly used for Valentine's Day and Easter, pink is sometimes referred to as "the color of love." The use of the word for the color "pink" was first recorded in the late 17th century.
Although pink is roughly considered just as a tint of red, most variations of pink lie between red, white and magenta colors. This means that the pink's hue is somewhat between red and magenta.
Roseus is a Latin word meaning "rosy" or "pink." Lucretius used the word to describe the dawn in his epic poem On the Nature of Things (De rerum natura). The word is also used in the binomial names of several species, such as the Rosy Starling (Sturnus roseus) and Catharanthus roseus. In most Indo-European languages, the color pink is called rosa.
Pink is any of the colors between bluish red (purple) and red, of medium to high brightness and of low to moderate saturation. Commonly used for Valentine's Day and Easter, pink is sometimes referred to as "the color of love." The use of the word for the color "pink" was first recorded in the late 17th century.
Although pink is roughly considered just as a tint of red, most variations of pink lie between red, white and magenta colors. This means that the pink's hue is somewhat between red and magenta.
Roseus is a Latin word meaning "rosy" or "pink." Lucretius used the word to describe the dawn in his epic poem On the Nature of Things (De rerum natura). The word is also used in the binomial names of several species, such as the Rosy Starling (Sturnus roseus) and Catharanthus roseus. In most Indo-European languages, the color pink is called rosa.
In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. Thomas Jenner's A Book of Drawing, Limning, Washing (1652) categorizes "Pink & blew bice" amongst the greens (p. 38),[12] and specifies several admixtures of greenish colors made with pink—e.g. "Grasse-green is made of Pink and Bice, it is shadowed with Indigo and Pink ... French-green of Pink and Indico [shadowed with] Indico" (pp. 38–40). In William Salmon's Polygraphice (1673), "Pink yellow" is mentioned amongst the chief yellow pigments (p. 96), and the reader is instructed to mix it with either Saffron or Ceruse for "sad" or "light" shades thereof, respectively (p. 98).

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1920 x 1440In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. Thomas Jenner's A Book of Drawing, Limning, Washing (1652) categorizes "Pink & blew bice" amongst the greens (p. 38),[12] and specifies several admixtures of greenish colors made with pink—e.g. "Grasse-green is made of Pink and Bice, it is shadowed with Indigo and Pink ... French-green of Pink and Indico [shadowed with] Indico" (pp. 38–40). In William Salmon's Polygraphice (1673), "Pink yellow" is mentioned amongst the chief yellow pigments (p. 96), and the reader is instructed to mix it with either Saffron or Ceruse for "sad" or "light" shades thereof, respectively (p. 98).
The color pink is named after the flowers called pinks, flowering plants in the genus Dianthus. The name derives from the frilled edge of the flowers—the verb "to pink" dates from the 14th century and means "to decorate with a perforated or punched pattern" (possibly from German "pinken" = to peck). As noted and referenced above, the word "pink" was first used as a noun to refer to the color known today as pink in the 17th century. The verb sense of the word "pink" continues to be used today in the name of the hand tool known as pinking shears.
The color pink is named after the flowers called pinks, flowering plants in the genus Dianthus. The name derives from the frilled edge of the flowers—the verb "to pink" dates from the 14th century and means "to decorate with a perforated or punched pattern" (possibly from German "pinken" = to peck). As noted and referenced above, the word "pink" was first used as a noun to refer to the color known today as pink in the 17th century. The verb sense of the word "pink" continues to be used today in the name of the hand tool known as pinking shears.
In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. Thomas Jenner's A Book of Drawing, Limning, Washing (1652) categorizes "Pink & blew bice" amongst the greens (p. 38), and specifies several admixtures of greenish colors made with pink—e.g. "Grasse-green is made of Pink and Bice, it is shadowed with Indigo and Pink ... French-green of Pink and Indico [shadowed with] Indico" (pp. 38–40). In William Salmon's Polygraphice (1673), "Pink yellow" is mentioned amongst the chief yellow pigments (p. 96), and the reader is instructed to mix it with either Saffron or Ceruse for "sad" or "light" shades thereof, respectively (p. 98).
Pink is any of the colors between bluish red (purple) and red, of medium to high brightness and of low to moderate saturation. Commonly used for Valentine's Day and Easter, pink is sometimes referred to as "the color of love." The use of the word for the color known today as pink was first recorded in the late 17th century.
Although pink is roughly considered just as a tint of red, most variations of pink lie between red, white and magenta colors. This means that the pink's hue is somewhat between red and magenta.
Roseus is a Latin word meaning "rosy" or "pink." Lucretius used the word to describe the dawn in his epic poem On the Nature of Things (De Rerum Natura). The word is also used in the binomial names of several species, such as the Rosy Starling (Sturnus roseus) and Catharanthus roseus. In most Indo-European languages, the color pink is called rosa. In Persian, it is called "Souraty," meaning "Color of the face." In Hindi, it is called "Gulabi," meaning "Colour of a rose."